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When it comes to adding that extra element that brings a production to life, few positions have the ability to create an impact like a music supervisor.
Music has the power to take a project from merely good to great, and it’s the responsibility of the music supervisor to find, oversee and manage all talent related to music during the production. Films such as O’ Brother, Where Art Thou?, The Graduate, and Titanic were all elevated above simply being just films and into the minds of the worldwide public due to their excellent musical accompaniments.
It was the music supervisor who largely orchestrated these soundtracks, choosing what pieces appeared where and when, and dealing with any talent related issues that may have arisen.
And, music supervisors also have the added benefit of potentially being paid royalties for successful soundtracks, making the position both highly competitive and sought after.
As the job title suggests, the music supervisor oversees all aspects of the music for a project.
Much like a director who manages the entire film or video crew, a music supervisor works within a given budget in order to execute their creative vision.
Working closely with both the director and producer, the music supervisor must research songs and pieces that enhance the scenes within the film.
After finding that perfect piece of music to accompany a film, the music supervisor must begin the process of ensuring that it can legally be used in the film.
If it’s a preexisting song, that means communicating with the creator’s publishing firm in order to negotiate the film rights for the desired piece of music.
And while it is not required, a legal background can be very helpful for the aspiring music supervisor, as it will allow them to navigate the murky waters of copyright ownership and fair use.
Being a music supervisor is like being the manager of any business venture; you have to keep a keen eye on the project’s finances, or risk going over budget.
Securing the rights to a critical piece of music can often be expensive, and it’s not unusual for supervisors to have to make the decision of choosing a popular piece of music for one scene and potentially cutting corners somewhere else.
A great music supervisor knows how to stay within budget without allowing music choices to negatively impact a project.
A supervisor’s interaction with an artist and their publisher doesn’t end at securing the rights to a song; they must also ensure that the musician receives their due royalties.
After a piece of preexisting music appears in a film, the music supervisor must submit its appearance to one of the Performance Rights Organizations.
These organizations monitor how music is used in visual media, enabling an artist to receive their proper due.
Get in touch with us today to chat about your next project.
Get in touch with us today to chat about your next project.
90 Seconds
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience, regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all of the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside of it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.
Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to
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